MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_01C8FDE7.99542380" This document is a Single File Web Page, also known as a Web Archive file. If you are seeing this message, your browser or editor doesn't support Web Archive files. Please download a browser that supports Web Archive, such as Windows® Internet Explorer®. ------=_NextPart_01C8FDE7.99542380 Content-Location: file:///C:/2C2D4A44/indigenous_wood.htm Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset="windows-1252" Indigenous wood

Indigenous Wood Usag= e

In recent years, deforestation has become a problem in many parts of Africa where we obtain our products. While the main causes for this are clearing for farmland and charcoal burning. The harvest of native = Ebony, Mahogany, Rosewood, and Olive wood is the greatest threat to indigenous for= ests and the species they support, through habitat loss for wildlife and destruc= tion of water catchments areas.

The demand for carvings has meant the devaluing of precious woods such as the ebony, ordinarily a highly expensive wood. This = has led to the rapid and wholesale destruction of Ebony forests. It is clearly understood by all of us that the demand for woodcarving also increases the = need for raw wood. At the same time, the carving industry provides vital labor to many people, and is an important form of expression of both traditional and modern art.

Many rural communities are too poor with no or very f= ew other sources of income other than to use the indigenous materials availabl= e to them. When choosing art, people, and communities to support, we believe that environmental stewardship is very important and sensible for humanity and consider this. However, our moral compass also dictates that we look beyond current environmental destruction when human survival supersedes environmen= tal consequences. We also look at alternate products that can be produced in pl= ace of indigenous wood and have many natural fiber and animal by-product items.=

We realize that the industry needs to be sustainable = and deforestation is causing major environmental problems. The artists and arti= sans who use indigenous woods are actively encouraged where possible to use wood= from commercial renewal sources and tree cuttings services. Alien species removal programs in southern African countries are providing a new medium f= or many wood carvers for many years to come. The supply of products from this resource are growing and we actively support the programs.

We welcome suggestions and any support to be better s= tewards of the environment that will not further jeopardize the survival of the impoverished of Africa. Please email us, call 303-284-0240, or write to:

The Office of the President

Kwaze-Kwasa [USA] Inc.<= /p>

2524 W 108th Place

Westminster, CO 80234

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